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      <image:caption>Black Lives Matter protesters gather around Robert E. Lee statue in Richmond, Virginia, June 2020. Image Credit: Daniel Sangjib, MIN/RTD.</image:caption>
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      <image:caption>Johannes Adam Simon Oertel, Pulling Down the Statue Of King George III, New York City, 1852-53, Oil on canvas, 32 x 41 ¼  inches, Collection of The New-York Historical Society.</image:caption>
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      <image:caption>The City of New Orleans prepares for the removal of Robert E. Lee Monument. Image Credit: NPR.org</image:caption>
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      <image:title>Writing - Why Monuments Matter — An Opportunity to Visually Define an Ever Evolving America [Part 1]</image:title>
      <image:caption>James Earle Fraiser, Equestrian Statue of Theodore Roosevelt, 1939, Bronze, Collection of The American Museum of Natural History and the City of New York.</image:caption>
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      <image:caption>Detail views of the Indigenous American and African allegorical figures.</image:caption>
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      <image:title>Writing - Expanding the Canon and Conversation:  The Paintings of Amy Sherald</image:title>
      <image:caption>Video Still of Amy Sherald in her studio. Image Credit: Hauser &amp; Wirth Website</image:caption>
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      <image:caption>Installation Photo of “Amy Sherald The Heart of the Matter” at Hauser &amp; Wirth, New York, 2019.</image:caption>
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      <image:caption>First Lady Michelle Obama, 2018; Oil on linen; 72.1 x 60.1 inches; Collection of National Portrait Gallery, Smithsonian Institution.</image:caption>
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      <image:title>Writing - Expanding the Canon and Conversation:  The Paintings of Amy Sherald</image:title>
      <image:caption>Miss Everything (Unsuppressed Deliverance), 2014; Oil on canvas; 54 x 43 inches; Collection of Frances and Burton Reifler.</image:caption>
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      <image:caption>James VanDerZee, Studio Portrait of Young Man with Telephone, 1929, gelatin silver print, Smithsonian American Art Museum</image:caption>
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      <image:caption>Unknown Photographer, 5 female Negro officers of Women's League, Newport, R.I., ca. 1890s, from W.E.B. Du Bois’s collection of African American Photographs Assembled for 1900 Paris Exposition. Image Source: Library of Congress</image:caption>
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      <image:caption>Handsome, 2019; Oil on canvas; 54 x 43 inches</image:caption>
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      <image:title>Writing - Expanding the Canon and Conversation:  The Paintings of Amy Sherald</image:title>
      <image:caption>If you surrendered to the air, you could ride it, 2019; Oil on canvas; 129 15/16 x 108 inches</image:caption>
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      <image:title>Writing - Expanding the Canon and Conversation:  The Paintings of Amy Sherald</image:title>
      <image:caption>Charles C. Ebbet, Untitled (Steelworker on the ‘in process’ RKO Building in Rockefeller Center), ca. 1932; Collection Unknown.</image:caption>
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      <image:title>Writing - Expanding the Canon and Conversation:  The Paintings of Amy Sherald - “Precious jewels by the sea,” 2019</image:title>
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      <image:title>Writing - Expanding the Canon and Conversation:  The Paintings of Amy Sherald - “Sometimes the king is a woman,” 2019</image:title>
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      <image:title>Writing - Expanding the Canon and Conversation:  The Paintings of Amy Sherald - “The girl next door,” 2019</image:title>
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      <image:title>Writing - Expanding the Canon and Conversation:  The Paintings of Amy Sherald - “A single man in possession of a good fortune,” 2019</image:title>
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      <image:title>Writing - Expanding the Canon and Conversation:  The Paintings of Amy Sherald - “There is no charm equal to tenderness of heart,” 2019</image:title>
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    <lastmod>2020-05-28</lastmod>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Artist Unknown (Possibly Jerome Henry Rothstein), Eagle and palette design regarded as the logo for the Federal Art Project, ca. 1938</image:caption>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Anne Siems, Black Swan Arms, 2019. Image Credit: Anne Siems Website</image:caption>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Jerome Henry Rothstein, Front Cover of Federal Art Project 1939 Calendar, 1938, Works Progress Administration, Library of Congress Prints and Photographs Division.</image:caption>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Ben Shahn, The First Amendment, 1941, Mural for Woodhaven Station Post Office, Jamaica, NY for New Deal’s Treasury Section of Fine Arts.</image:caption>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Willem de Kooning, Study for the Williamsburg Project, c. 1936, (NOTE: The Williamsburg Federal Housing Project in Brooklyn mural was never realized)</image:caption>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Ai Weiwei, Untitled (Middle Finger Mask), 2020. Image Credit: Ai Weiwei Instagram</image:caption>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Kenny Scharf, Optimistically Melting!, 2019 Exterior Installation view, Honor Fraser Gallery, Los Angeles, CA</image:caption>
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    <image:image>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Paul Kopkau, Yard Shadow: Samsung, 2019 at Socrates Sculpture Park, Astoria, Queens, NY</image:caption>
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    <image:image>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Bansky, Our New Heroes, 2020, Mural at Southampton General Hospital, United Kingdom.</image:caption>
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    <image:image>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Pony Wave, Stay Safe, 2020, Temporary Mural on Venice Beach Boardwalk, Los Angeles, CA. Artist in foreground. Image Credit: Pony Wave Instagram</image:caption>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Kimmy Quillin, Untitled (Sketch of @bodyconfidence), 2020. This sketch was made during a nude figure drawing session on Zoom organized by a collective group of New York artists. Image Credit: Kimmy Quillin</image:caption>
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      <image:title>Writing - The States Must Lead:  A NEW “New Deal” for the Arts in 2020</image:title>
      <image:caption>Frances Perkins stands behind President Franklin Roosevelt as he signs the Social Security Act into law on August 14, 1935.</image:caption>
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    <loc>https://www.ouderkirkonart.com/writing/call-to-action-petitions-need-your-signatures</loc>
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    <lastmod>2020-03-26</lastmod>
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      <image:title>Writing - ⚠️Call to ACTION⚠️ — Petitions Need YOUR Signatures!</image:title>
      <image:caption>Glynn Galloway, Zero Tolerance, 2018, Mixed Media</image:caption>
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    <lastmod>2020-02-25</lastmod>
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      <image:title>Writing - Capturing the Political in Charcoal</image:title>
      <image:caption>Robert Longo, Untitled (Black Pussy Hat in Woman’s March), 2017, charcoal on mounted paper, 66 3/4 x 113 3/4 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582317041224-R5SJ9AF1AD21DVVC9S5B/IMG_0631.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal - Untitled (Defaced Jewish Cemetery:  Strausbourg, France; December 14, 2018), 2019</image:title>
      <image:caption>Installation Image</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582664225305-GF6HY59TS7JV6P8TQNWG/IMG_0632.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal</image:title>
      <image:caption>Detail of gravestone on lower left</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582663486033-VXWP6C16O4LZC2QQV6E3/Adjustments.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal - Detail:  Untitled (Refugees Moonbird Sighting, Mediterranean Sea; May 5, 2017), 2019</image:title>
      <image:caption>Detail of central image</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582317042926-A0F4OVQEQUJVMMG75IN0/IMG_0633.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal - Installation Image:  Untitled (Marching Soldiers; (Party Foundation Day) Pyongyang, North Korea; October 10, 2018), 2019</image:title>
      <image:caption>Installation Image</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582317044707-3FOGJRSY815NJ1KQWR0I/IMG_0638.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal</image:title>
      <image:caption>Detail of marching soldiers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582317046358-UO4TXOTUI528W32H4F8J/IMG_0641.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal - Detail:   Untitled (Caravan; Ariana, Mexico; October 27, 2018), 2019</image:title>
      <image:caption>Detail of caravan walkers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582663427366-Q9K10OPRUT8UWKEG1OYW/Adjustments.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal - Installation Image:  Metro Pictures, Robert Longo, “Fugitive Images,” 2019</image:title>
      <image:caption>From Robert Longo’s Gallery Talk on January 11, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582664771431-LR3Q58NS3MGOL9CR63EL/Adjustments.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal - Untitled (State of the Union; Washington, D.C., USA; February 5, 2019), 2019</image:title>
      <image:caption>Drawing-in-progress at Robert Longo’s Studio. Image Credit: Robert Longo’s website</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582664764522-BEFPZ2F69NYPIS8Z46LX/IMG_0846.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal</image:title>
      <image:caption>Installation image at Metro Pictures</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582664767196-ZYPN7WNG364DA9DRNGJ5/IMG_0649.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal</image:title>
      <image:caption>Detail of congresswomen wearing white</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582664769603-1QBUA6OOKIBW8JG3STZ5/IMG_0650.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal</image:title>
      <image:caption>Another detail of congresswomen wearing white</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582664776256-Z05DMF7R01K5YF7QLGD5/IMG_0652.jpeg</image:loc>
      <image:title>Writing - Capturing the Political in Charcoal</image:title>
      <image:caption>Detail of President Donald Trump at podium</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ouderkirkonart.com/writing/a-painting-for-the-millennials-palette-and-palate</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1582308479926-9H796I8ZW5G74JGLSU9E/IMG_0863.jpeg</image:loc>
      <image:title>Writing - A Painting for the Millennial's Palette and Palate</image:title>
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  <url>
    <loc>https://www.ouderkirkonart.com/writing/high-ticket-prices-here-are-the-solutions</loc>
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    <lastmod>2020-01-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1579224695046-U03F2W8QOL1N1J4MVB3T/Adjustments.jpeg</image:loc>
      <image:title>Writing - Museums Tickets Are Expensive. Here Are My Solutions.</image:title>
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  <url>
    <loc>https://www.ouderkirkonart.com/writing/welcometotheouderkirkonartblog</loc>
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    <lastmod>2020-01-07</lastmod>
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      <image:title>Writing - Welcome to the Ouderkirk on Art Blog!</image:title>
      <image:caption>The Ouderkirk Cousins (Jennifer, Alana, Alicia and me) attending my first large-scale exhibition “The Masters: Art Students League Teachers and Their Students” October 2018 at Hirschl and Adler Gallery</image:caption>
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    <loc>https://www.ouderkirkonart.com/home</loc>
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    <lastmod>2024-03-07</lastmod>
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      <image:title>Home</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dd5aa3853a8d4416db3c6f7/1576689159134-34JKKE9YS8Z49AOQKQO6/IMG_0575.jpeg</image:loc>
      <image:title>Home</image:title>
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      <image:title>Home</image:title>
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    <lastmod>2020-02-21</lastmod>
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      <image:title>To Read - In The News - Monument Lab: “WHEN WE #TAKEITDOWN, WHAT SHOULD GO UP?”</image:title>
      <image:caption>Do Ho Suh, "Public Figures," 1998-1999, Metrotech Center Commons, Brooklyn [source: wikiart]</image:caption>
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      <image:title>To Read - In The News - The Art Newspaper: “Institutions need to follow artists’ lead to make a material impact on the world”</image:title>
      <image:caption>Shan Wallace, Golden Time of the Hour, 2018 Courtesy of the artist via The Art Newspaper</image:caption>
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    <loc>https://www.ouderkirkonart.com/to-read-in-the-news/fhsb4jlct831snybrm5do8ykqzmarq</loc>
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      <image:title>To Read - In The News - The Art Newspaper: “The US has a big racism problem and the art world is not helping” - Kaws, companion (Passing through), date unknown</image:title>
      <image:caption>KAWS, Companion (Passing Through), n/d  Image Credit: 5ArtGallery [NOTE: The gallery’s original instagram post has been pulled. It’s unclear which “Companion” work was looted.]</image:caption>
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      <image:title>To Read - In The News - Artnet News:  “It’s Not All in Your Head—the Art World Really Is Unfair. Here Are 9 Reasons Why”</image:title>
      <image:caption>Scott Reeder, Unfair, 2015. Courtesy the artist and Kavi Gupta, Chicago. Source: Artnet News</image:caption>
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      <image:caption>John Raymond Mireles, Pink House with Trees, 2016</image:caption>
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      <image:caption>John Raymond Mireles, Watering, 2008.</image:caption>
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      <image:caption>John Raymond Mireles, Yellow House with Tree, 2009.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Arcade Project:  “Tradition and Transgression at SPRING/BREAK 2022” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Arcade Project:  “Tradition and Transgression at SPRING/BREAK 2022” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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